Carrier Waves - Part One | Mastering Alchemy

Carrier Waves - Part One

Carrier Waves - Part One

A Course in Mastering Alchemy Blog - Carrier Waves - Part OneZadkiel:  Greetings it is I Zadkiel.

Jim:  Greetings to you.

Zadkiel:  It’s my desire to bring a conclusion to the work that we have been doing in the last few sessions; because it is time now to leave what has been given and to look at some other areas.  However, as I have mentioned before, we will be coming back to the eighth Ray and to these complexities of clearing and creating often.  But for now you have received the information to a level that is very useable. A level that you can teach at this time that will benefit many and escalate the process of the collective.  To tie up some loose ends here, so to speak, before we go on to explore other venues.  

You know we’ve talked a time or two about sound.  How all of these frequency patterns have light frequencies. They have color aspects and geometrical configurations. I want to add a little of that into the mix here.  As you know sound affects the vibratory level of frequency patterns and has the ability to accelerate or enhance the vibratory level of an energetic pattern.  If you are working in the dismantling process, adding certain tones to certain sounds is very helpful because as you add those tones with intention it enhances the vibratory level of what you are creating. Especially in areas where you are dismantling very stable frequency patterns. You can, through sound, raise or accelerate the vibration of that force field to such a degree that it expands and allows more to be added or to be released from that field in a very quick way.

Jim:  Ok, I understand.  So would the application involve becoming clear about the intention and the application and then literally stopping at that point and adding an “a, e, i, o, or u” as a tone?

Zadkiel:  As a tone, yes,  or you could use another vehicle; a bell, a bowl, a drum.  That is why the indigenous people in their ceremonies use drumming. The vibration is so altered and accelerated that it allows a creative force to take place in a very accelerated way.  The force is accelerated.  If you are clearing, you are using the components in the eighth Ray as a clearing mechanism to clear a very stable pattern.  When you start working with these sub-frequencies, adding alternate concepts and adding sound to that, you accelerate the vibratory level and escalate the clearing process.

That is something that I give you to experiment with.

Jim:  I will. This is great.

This is an excerpt from a conversation between Archangel Zadkiel and Jim Self in the development of the Mastering Alchemy Lightbody course.

 

Comments

Hi Jim,

I am a glass artist and would love to explore this concept of sounds that Archangel Zadkiel is speaking about here while I am creating my art.  While working, I typically listen to music that I really like and focus on sending loving energy into each piece that I am creating, but I wonder what type of sounds I could have playing in the background to further enhance this energy.

Thank you!